AGO Boston 2014 https://validator.w3.org/feed/docs/rss2.html Contact Emails Handouts Pre-Convention Events Directions Alexandre Guilmant (1837–1911): Aspects of Life and Work Exhibitors Church Music in Finland To MIDI or not to MIDI Teaching Organ Techniques in a Holistic Manner Relaxing and Maintaining Calm in the Midst of Stress Program Book Empowering Directors to Work with New Ringers Dig Your AGO Chapter Out of the Ditch Kotzschmar 4 Kids: A Collaborative Curriculum for Organists and Schools Music in Catholic Church Liturgy: Vatican II to Current Trends Church Music As Somaesthetic Praxis The Feminine Aesthetic in the Organ Compositions of Rolande Falcinelli Weekend Worship Services Schedule-at-a-Glance Family Day – Saturday June 21, 2014 Reverberation Characteristics of Architectural Spaces: Touching Mystery Voluntaries Rediscovered Music of Integrity for Small Choirs Help! My bucket is always full! Time Management for Musicians Purpose Beyond Performance Richard Purvis Centennial Jazz Influenced Service Music Illuminations of the Beyond: Messiaen’s Last Concert at La Trinité The Liturgical Organist: Strategies for Supportive and Creative Service Playing Getting around Boston and Cambridge How to Pass the AGO Service Playing and Colleague Exams Faith and Art: A Creative Exploration Do Negro Spirituals have a Place in My Church? Boston Organ Book Tuesday June 24 Concert Schedule Christian Lane Wednesday and Thursday Concert Schedule Tournemire’s Improvisation on “Victimae paschali”: Audio vs. Transcription Peter Pelham and Charles Pachelbel: New England’s Immigrant Organists Inspired Service Playing: How to Move From Here to There Dining Options Daily News Panel of American Composers Passages: Tools for Finding Your Way Through Conflicts Know Your Instrument – A Little Better Heart, Soul, Strength, and Mind: Interpretation and Performance of Romantic Repertoire Hymn Playing 101 and 102: Learn the Basics and More Sure-Fire Practice Techniques Recital at the Noack Organ Shop – Ian Watson Home